by Renée Ashley

Photo Credit: Joy Stocke
[So much forgiveness] to ask & it’s hard for her—
all opening & a train barreling through She can’t
get her feet to stay on the ground She’s untethered
The sere western hills are always about to burst &
there is never a hope like the last hope Still the
calla on her inner wrist throws light & is small
with a tincture of shade Lily closer than the real
thing The wrist itself thick & too easily fractured
She fears—not death—but death by fire death by
water & cannot guess what is in those hills that
lends her such quick comfort That they are always
there perhaps She never imagines Sky King in
black & white sweeping in from the clear blue of
the western sky Cannot imagine that he would dip
the wings of his primitive plane & scoop her from
the air All her lucks align in a complicated &
ironic way Her once-removed histories of water &
fire what do they have to do with her Oh what is
impulse & what is holding on too long
*
Ohmygod so happy all day Sun & picking calla
plants alyssum—sweet–& bugle weed from a
garden store to settle the dust beneath the
recovering wisteria More sun than she’s allowed
herself in years & she knows by the time it’s
August she’ll watch the flowers fricassee She
won’t save them in that murderous light Annette
Funicello & Margaret Thatcher are dead & just
over the mountain the mountain is burning She’s
fiercely grateful for the absence of wind Let it
please not reach the toxic dump Let it not make its
way towards her home There’s still so much she’d
like to do before her own last flames are kindled
by this every night: to bathe both dogs to peel the
wasted apples for the cake—she’s craved that
cake for months—to read & sigh loudly with the
black dog on her lap Her felt & plastic mouse ears
on the wall on the plastic Frankenstein head
nailed there three feet above the big TV She wants
to see the callas bloom in their new blue pots & if
she has to grow older let her & the dogs drift
together into their age Let them all die dreaming
together unaware of the flames around them

Renée Ashley
Renée Ashley
Renée Ashley is the author of five volumes of poetry: Because I Am the Shore I Want to Be the Sea (Subito Book Prize); Basic Heart (winner of the 2008 X.J.Kennedy Poetry Prize); The Revisionist’s Dream; The Various Reasons of Light; and Salt (Brittingham Prize in Poetry, University of Wisconsin Press), as well as a novel, Someplace Like This, and two chapbooks, The Museum of Lost Wings and The Verbs of Desiring. Ashley teaches poetry in the low-residency MFA Program in Creative Writing and across the genres in the MA in Creative Writing and Literature for Educators. She has received fellowships from the New Jersey State Council on the Arts in both poetry and prose and a poetry fellowship from the National Endowment for the Arts. A portion of her poem, “First Book of the Moon,” is included in a permanent installation in Penn Station, Manhattan, by the artist Larry Kirkland. She has served as Assistant Poetry Coordinator for the Geraldine R. Dodge Foundation and, for seven years, as Poetry Editor of The Literary Review. Her new collection, The View from the Body, will be published by Black Lawrence Press in 2016.
RENéE ASHLEY IN THIS EDITION:
POETRY – from Her Book of Difficulties
» View all articles by Renée Ashley
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