Additional writing by Dan Zegart
…the following acts are and shall remain prohibited at any time and in any place whatsoever with respect to the above-mentioned persons:
(a) Violence to life and person, in particular murder of all kinds, mutilation, cruel treatment and torture;
(b) Taking of hostages;
(c) Outrages upon personal dignity, in particular, humiliating and degrading treatment;
(d) The passing of sentences and the carrying out of executions without previous judgment pronounced by a regularly constituted court affording all the judicial guarantees which are recognized as indispensable by civilized peoples.
— The Geneva Convention/Article 3
FALL 2003 —
THEY ENTERED SILENTLY
TESTIMONY OF ABDULWAHAB, DETAINED FOR 44 DAYS BEFORE ENTERING ABU GHRAIB PRISON
Friday night at three a.m. and I was in Baghdad in Algadria area. We had come — my friend Salaam and me — to buy a car. I was sleeping and they entered my room. It was very dark. I think there were seven soldiers.
They entered silently. Then I heard shouting. I thought they were a gang who wanted to steal our money. They turned their helmet lights on, took us to the living room, tied us up on the ground, and put hoods on our heads. I was in my pajamas and T-shirt. No shoes or slippers. The translators were wearing army uniforms, saying, “Don’t move or we’ll shoot you”
DECEMBER 26, 2002
WASHINGTON, D.C.
 |  Attorney Susan Burke |
The day after Christmas, two months after the U.S.-led invasion of Afghanistan, and three months before the invasion of Iraq, Susan Burke, daughter of a retired Army officer, lawyer, and mother of three, sat at the breakfast table reading an article by Bob Woodward in the Washington Post. In it, Woodward talked about the detainment of Afghan prisoners at a camp in Guantanamo Bay, Cuba.
While her kids played with their new toys and ate the last of the Christmas cookies, a quote from a U.S. administration official caught Burke’s eye: “If we are not violating people’s human rights, we are not doing our job.”
Following the terrorist attacks of September 11, 2001, Burke was disturbed by similar phrases appearing in the press, such as “the gloves are coming off,” indicating that her government was moving away from its longstanding prohibition of torture.
Burke began asking questions about U.S. policies in Afghanistan that might affect the prisoners at Guantanamo Bay. Was the U.S. government engaged in unlawful detainment and torture in Afghanistan? Was there proof of this? If so, what could be done to stop it?
“I thought I could do something,” says Burke, “I could persuade people in non-violent ways — not at the barrel of a gun — that adhering to the rule of law, to democracy, is better for everybody.”
Ever since her days at Catholic University law school twenty years earlier, Burke had felt that lawyers have a moral obligation to uphold the constitution.
“I’ve always had a pro-bono practice,” Burke explains. “I think lawyers have civic responsibilities that go above and beyond other people.”
As evidence mounted that American-led forces were systematically mistreating prisoners, she enlisted the help of Amnesty International, with whom she had long worked against torture by foreign governments. Assisted by law students at the University of Pennsylvania, Burke learned that American courts are able to halt torture. And in fact, they had done so in the past.
On August 8, 2005, a team of lawyers, led by Georgetown law professor Neal Katyal, filed suit against then-Secretary of Defense Donald Rumsfeld on behalf of twenty-four-year-old Guantanamo Bay detainee Salim Ahmed Hamdan, a former driver for Osama bin Laden. One of Burke’s central claims was that in using the phrase “War on Terror,” the Bush Administration was bound by the Geneva Convention to treat detainees humanely as prisoners of war.
ALI BABA AND THE 40 THIEVES
TESTIMONY OF ABDULWAHAB
They took us to a tennis court in Saddam’s palace and put a sign on us that said, “Al-Qaeda.”
I didn’t know what Al-Qaeda meant until the Americans came. There was a Kurdish-American interpreter there.
|  Art by Daniel Heyman |
I asked him, “What is Al-Qaeda? Please, the American Army took my money, my cell phone, and my clothes at the hotel.”
The Syrian interpreter said, “The American’s won’t steal. You are the thieves.”
They were joking and calling me Ali Baba and the Forty Thieves.
They took about twenty prisoners in two big military trucks. All of us tied together. I was still in my pajamas. It was very, very hot. There were helicopters, and more Hummers, to secure the area. They took us to the Baghdad airport.
They never asked us any questions or told us what we were being charged for.
They took us to the airport and kept us outside in the hot sun. The soldiers were holding yellow files. I saw a bit from under my hood. Then they took us into a room and made us stand against a wall for two to three hours. They took off our clothes. We still had the hoods on. They took our pictures.
MARCH 2004
For Shareef Akeel, the son of Egyptian immigrants, the War on Terror had little effect on his career as a lawyer. Until one morning in March 2003, when a man walked into his office and said, “The Americans tortured me.”
“Imagine sitting at your desk and out of the blue hearing something like that,” says Akeel in his warm Midwestern accent. “What is the man saying, you ask yourself. Because you can’t comprehend that torture could happen.”
Akeel was skeptical of the man’s story.
“But he said something so strange that I knew he couldn’t make it up. He said that he had been stripped naked. The Americans tied a rope to his genitals and attached this rope to other men. They pushed him so the other men would fall on him. Then the Americans would laugh at them. ”
Ironically, the man, Saleh, a Shiite Muslim, had been imprisoned at Abu Ghraib during the Sadaam Hussein years, and had eventually fled to the United States. After the fall of Baghdad, he returned to rebuild his country. But the honeymoon ended when he was picked up at the side of the road by American soldiers who took his car and his money and put a hood on his head.
|  Attorney Shareef Akeel |
Akeel was deeply disturbed by Saleh’s story and filed a military claim to get his car and money back. Three weeks later, pictures of humiliated and abused prisoners at Abu Ghraib appeared on television, followed days later by reporter Seymour Hersh’s story in the New Yorker, based on a leaked report by Maj. Gen. Antonio M. Taguba, a report that described the conditions at Abu Ghraib.
Taguba oversaw the investigation, which examined allegations of detainee torture by members of the U.S. 800th Military Police Brigade. In his report, investigators concluded that between October and December 2003, there were numerous instances of “sadistic, blatant, and wanton criminal abuses” at Abu Ghraib.
“The Taguba report was a gift from heaven,” says Akeel. “From there, other torture victims heard I had filed a claim, and began to contact me.”
Shortly after Saleh’s claim was filed, the Center for Constitutional Rights directed Akeel to Susan Burke in Philadelphia.
With the emails, memos, and other concrete proof of torture provided by the Taguba Report, Burke and Akeel knew they had the kind of strong proof necessary to support a lawsuit against the torturers at Abu Ghraib. They began to assemble their case.
The Taguba report linked military and private sector employees to the torture at Abu Ghraib. Two defense contractors were implicated: The Titan Corporation of San Diego, California, which provided translators, and CACI International, of Arlington, Virginia, which supplied interrogators.
“I began to think,” recounts Burke, “that perhaps the best legal strategy for the victims was to go against the corporations that had been willing to conspire and do the bidding of the military, rather than go directly against the power of the government and the military itself.”
On June 9, 2004, Burke filed a class action suit against Titan and CACI charging them with conspiring with the military and other U.S. personnel to “torture, rape, and, in some instances, summarily execute Plaintiffs.” The suit sought both monetary damages and to bar Titan and CACI from similar work in the future. It was an unprecedented challenge to the Bush administration’s outsourcing of interrogation at the prison to private firms.
A SECOND ROOM
ABDULWAHAB
They took us to a second room. We had to have knees bent, with our head down and hands in cuffs, against the wall, standing for five hours. If anyone moves, sits or straightens up, they wouldn’t let them.
The interrogator came. He was wearing black shorts and a t-shirt that said, “Army” He was fat, around fifty years old, a big head with big glasses, and originally from Egypt. He spoke English like an American. There was a table and a chair. One by one he called us. They opened the chains, and chained our hands to the front.
“Tell us your name, age, job. Where do you live? Married? How many children, sisters, brothers? Are you Muslim or Christian?”
“Now we will make you a party. Maybe you will like this party,” they said.
They took us to a brick room with sealed-off windows painted black, so no one could see sunlight. They brought a cassette recorder, and big speakers, and put on loud music. Sometimes rock music, electric guitar, sometimes dogs barking, sometimes children crying, and screaming, They told us, “You must run around the room. Move!”
There were six of us and we would bump, or hit shoulders or heads. They played loud music for seven hours, and we ran.
One guy stopped, and the army guy said, “GET UP! GET UP!”
 |
| Art by Daniel Heyman |
MARCH 2004
AN OFFICE IN BAGHDAD
As more victims turned to him, Akeel decided he had to go to Iraq to get to the truth.
He traveled with a man named Mohammed, who had come to give Power Point demonstrations on democracy. They were nervous driving out of the airport and were almost immediately stopped.
“‘Don’t go there,’ a soldier said, pointing to the road they were about to take. ‘Because you may be hit by a street bomb.’”
Akeel remembers “the soldier might have been twenty-years-old or so, with big ears sticking out of his helmet. He was obviously scared. Remember, these American kids are thrust into a situation with a very different culture, very different language. Imagine what it’s like for Iraqis having these young men telling them what to do.”
Accompanied by bodyguards and disguised in a beard and mustache, Akeel was able to travel freely. He ventured into houses, apartments; he talked to grandmothers, grandfathers, mothers, fathers, lawyers, businesspeople, and children.
“A young man told me, ‘I was finishing high school when they took me [to Abu Ghraib].’ What most people don’t understand is that they took more than a few Iraqis. It was systematic. It happened throughout the country. Another Abu Ghraib detainee told me that the Americans came to his home. He told me that as his mother tried to answer their knocks, they blew open the door and killed her. The Americans then put a hood over his head and made him walk over his mother’s body before they took him to Abu Ghraib for over a year. He was released later with an apology.”
These stories supported allegations other civilians had made. “It shed a lot more light beyond the pictures taken at Abu Ghraib. Here we were exposing an underground world of abuse and torture.”
After traveling to Baghdad, Akeel found himself going through profound changes. “I didn’t worry about being killed, ransomed. I didn’t think of that; the conduct was so egregious. I couldn’t stop thinking — I went to law school. I was born a certain way, grew up with certain things, and then one day, I was called to act on my convictions.”
Burke and Akeel left their law firms to concentrate on the detainee case. They came to believe that the private contractors, driven solely by money, were particularly culpable. “This is where the danger lies,” says Akeel. “In the U.S. military, soldiers must follow orders; they must abide by the Geneva Convention regarding prisoners of war. If they violate those rules, they are subject to a court-martial. No such rules apply to outside contractors.”
Akeel and Burke asked themselves, “How can we hold civilians accountable?”
“DO IT,” HE SHOUTED: ABDULWAHAB
DAYS BEFORE HE WAS
SENT TO ABU GHRAIB
They made us run on our knees and knuckles for days. We were not allowed to sleep even for twenty minutes. We had small biscuits and a bit of bread — five minutes, two times a day. They gave us water from under the sun. It was very hot and there was a giant spot of light in the room that gave off a lot of heat. They used to take us to the bathroom only when we insisted. We were not eating enough to do the big one, and not drinking enough to do the small one. I did not sleep for three days.
They hurt us a lot. A soldier stood in the center of the room. If anyone stops from running he pushes them very hard and holds a piece of aluminum siding and hits it against the wooden window — Boom! Boom! And shouts “Get up; get up!” and kicks people. He threw the aluminum against the wall. I was nearby and stepped on it by accident. It cut my left foot and it swelled up very big. I had to run back and forth on a swollen, bleeding foot on cement tiles. For ten days, we were made to be on our knees and knuckles. The scars are discolored on my knees. When they told me to finally stand up, I would fall over.
A soldier came with huge muscles and tattoos. They brought a stretcher. He made me put my feet on the stretcher and have my knees hanging over and hands on the ground. I fell on the ground. “Do it!” he shouted. He put me back up on the stretcher and he moved the stretcher up. I fly, hit the wall and am unconscious. They threw water on me. I woke up. In the middle of the night they took us in two Hummers to another warehouse where there was no water and prayer was not allowed. For three hours I was tied very tight with plastic cuffs. My hands got swollen and blue.
I said, “Please untie me.”
The soldier said, “Shhhh, no talking.”
But he did untie me. He cut one side and then the other.
“We are sorry this was so tight.” He spoke very nicely. “Did anyone hit or hurt you?”
But we were afraid to answer. we said, “No. No.” I had no idea who he was.
After about three hours, they took us to an information office in a tent. There were laptops, and an Iraqi interpreter who took notes. Before that I had no number and thought they were going to kill me. But instead, I learned they were taking me to Abu Ghraib.
JUNE 2006 —
HAMDAN VS. RUMSFELD
AN EARLY VICTORY
On June 29, 2006, Katyal won a major victory when the Supreme Court ruled in favor of Guantanamo detainee and Osama bin Laden’s driver, Salim Ahmed Hamdan, stating that the protections of the Geneva Convention apply generally in the “War on Terror,” not only to those like Hamdan, detained at Guantanamo, but everywhere. The ruling was both a legal milestone and a morale boost for Burke in her suit against CACI and Titan, implying that prisoner-of-war status is legitimate in Iraq.
Burke hopes the lawsuit will help Americans understand what happened at Abu Ghraib.
“It’s so uncomfortable for a person to acknowledge, ‘I am part of a torturing nation,’” she says. ‘As an American paying my tax dollars, I am in some way responsible for having intentionally inflicted this pain on innocent people.’”
“We choose to look the other way, thinking, ‘oh, it was just some humiliation done towards people who are terrorists.’ Who was it that said, ‘All it takes for evil to flourish is for good men to do nothing’?”
In Part II of Wild River Review’s three part series on “The Other Side of Abu Ghraib,” Burke befriends yoga teacher Jennifer Schelter, and invites her to fly to Istanbul with Akeel and artist Daniel Heyman to record testimony from the detainees themselves and the stories behind the photos of Abu Ghraib.
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Joy Stocke, WRR Editor-in-Chief
Joy E. Stocke, founder and Editor in Chief of Wild River Review, has published fiction, nonfiction and poetry, and has written about and lectured widely on her travels in Greece and Turkey, as well as religion, ancient and modern. Her memoir, Anatolian Days and Nights: A Love Affair with Turkey, Land of Dervishes, Goddesses & Saints, based on more than ten years of travel through Turkey, co-written with Angie Brenner was published in March 2012 by Wild River Books. You can visit the book’s website at: Anatolian Days & Nights.com. Or order Anatolian Days & Nights by clicking here: ADN.
Her essay “Turkish American Food” appears in the 2nd edition of the Oxford Encyclopedia of Food and Drink in America (OUP, 2012).
She is the author of a bi-lingual book of poems, Cave of the Bear, translated into Greek by Lili Bita; and a novel, Ugly Cookies.
An experienced editor, Stocke works with many of the writers who appear in the pages of Wild River Review, as well as clients from around the world. She has interviewed Nobel Prizewinners Orhan Pamuk and Muhammud Yunus, Pulitzer Prizewinner Paul Muldoon, Roshi Joan Halifax, anthropologist and expert on end of life care; Ivonne Baki, President of the Andean Parliament; and Templeton Prizewinner Freeman Dyson among others.
In 2006, along with Executive Editor, Kim Nagy, Stocke interviewed scientists and artists including Princeton University President Shirley Tilghman and Dean of Faculty, David P. Dobkin for the documentary Quark Park, chronicling the creation of an award-winning park built on a vacant lot in the heart of Princeton, a park that united art and science and community. She serves on the boards of the Princeton Middle East Society and the Center for Emergent Diplomacy, and is a member of the Turkish Women’s International Network.
A graduate of the University of Wisconsin, Madison, with a Bachelor of Science in Broadcast Journalism, she participated in the Lindisfarne Symposium on The Evolution of Consciousness with cultural philosopher, poet and historian, William Irwin Thompson. In 2009, she became a Lindisfarne Fellow.
EMAIL: jstocke@wildriverreview.com
FACEBOOK: http://www.facebook.com/joy.stocke
TWITTER: http://twitter.com/
JOY STOCKE IN THIS EDITION:
ART – INTERVIEW – Suzanne Opton and Michael Fay – The Human Face of War
BOOKS – INTERVIEW – Orhan Pamuk – The Melancholy Life
CONSERVATION – East of an Aquatic Eden and into the Desert
FICTION – INTERVIEW – The Road to Home: Rachel Simon’s THE STORY OF BEAUTIFUL GIRL
INTERVIEW – Harriet Mayor Fulbright- World Peace through Education
INTERVIEW-TURKEY-How to Weave a Culture: The Art of the Double-Knot with Murat Küpçü
PEN WORLD VOICES – Critical Minds, Social Revolution: Egyptian Activist Nawal El Saadawi
PEN WORLD VOICES – INTERVIEW – PER PETTERSON: Language Within Silence
PEN WORLD VOICES – On the High Line: Diamonds on the Soles of Our Shoes
PEN WORLD VOICES FESTIVAL: Car Bombs on the West Side, Journalists Uptown
POETRY – The Bath: Athens, Greece
PRINCETON – INTERVIEW – Ed Belbruno – The Colors of the Universe: Microwaves and Art
PRINCETON WRITERS – INTERVIEW – Every River Tells A Story: Founders Kim Nagy and Joy Stocke
ROLEX ARTS INITIATIVE-Poet Tracy K. Smith: Memory, Creation, Mentoring, and Mastery
UP THE CREEK: Create Dangerously
WORLD – EASTERN EUROPE – MEMOIR – The Eagle of Ararat
WORLD – EASTERN EUROPE – MEMOIR: The Eagle of Ararat-Part II: The Meaning of Freedom
» View all articles by Joy Stocke
Kimberly Nagy, Founder
Incorrigible collector of ideas, Kim Nagy is the Founder of Wild River Review. In between scoping out writing talent, new articles, interviews and creating new series, she is a poet, professional writer, and dedicated reader who has interviewed a number of leading thinkers, including Academy-Award winning filmmaker, Pamela Tanner Boll, MacArthur Genius Award-winning Edwidge Danticat, historian James McPherson, playwright Emily Mann, biologist and novelist, Sunetra Gupta and philosopher Alain de Botton.
Nagy is an author, editor and professional storyteller. She received her BA in history at Rider University where she was influenced by professors who stressed works of literature alongside dates and historical facts–as well as the importance of including the perspectives of women and minorities in the historical record. During a period in which she fell in love with writing and research, Nagy wrote an award-winning paper about the suppression of free speech during World War I, and which featured early 20th century feminist and civil rights leader, Elizabeth Gurley Flynn.
Nagy continued her graduate studies at University of Connecticut, Storrs, where she studied with Dr. Karen Kupperman, an expert in early contact between Native Americans and the first European settlers. Nagy wrote her Masters thesis, focusing on the work of the first woman to be accepted into the Connecticut Historical Society as well as literary descriptions of Native Americans in Connecticut during the 19th century. Nagy has extensive background and interest in anthropological, oral history and cultural research.
After graduate school, Nagy applied her academic expertise to a career in publishing, in which she worked for two of the world’s foremost publishers—-Princeton University Press and W.W. Norton—as well as at Thomson, Institutional Investor Magazine,Routledge UK, and Recording for the Blind & Dyslexic.
Praised for her literary yet down-to-earth style, Nagy is now the author of the column (and forthcoming book) Triple Goddess Trials, a mythology/memoir that draws on the divine feminine archetype, phases of the moon, and timeless stories (Medea, Aphrodite, Kali and Syrinx to name but a few) to shed light on women’s experiences in the modern world. Readers have called Nagy’s work “thought-provoking,” “funny,” “deeply important” “inspiring” and “real.”
EMAIL: knagywrr@gmail.com
WEBSITE: www.KimNagy.com
FACEBOOK: http://www.facebook.com/iknagy?ref=profile
TWITTER: kimnagy
KIMBERLY NAGY IN THIS EDITION:
ART – INTERVIEW – Pamela Tanner Boll – Dangerous Women: Creativity, Motherhood, and the World of Art
ART – INTERVIEW – Suzanne Opton and Michael Fay – The Human Face of War
COLUMN – The Triple Goddess Trials: Fire in the Head: Brigit’s Mysterious Spark
FILM REVIEW – Who Does She Think She Is?
INTERVIEW – Keeping Time: A Conversation with Historian James McPherson
LITERATURE – The New York Public Library at 100: From the Stacks to the Streets
MUSIC – INTERVIEW – Beata Palya – The Secret World of Songs
PEN WORLD VOICES – The Chador and the Walled Homestead: Modern Poetry of Pakistan
PRINCETON – INTERVIEW: Boundless Theater: An Interview with Emily Mann
» View all articles by Kimberly Nagy
