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JULY 2009 |
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Review of Heather Thomas’s poetry While Shakespeare was composing his sonnets and the Puritans were settling what would become the American colonies, a love affair that may have been otherwise forgotten was in full bloom in Mughal India. Prince Khurram, known by the royal title of Shah Jahan, was devoted in mind, body, and spirit to Arjumand Banu Begum, the Mumtaz Mahal, whom he called “Taj.” Jahan, young heir to the Fourth Mughal Emperor Jahangir, grew to adore the companionship and counsel of his arranged bride so that after her premature death he dreamed of a way to commemorate her into eternity, a dream realized two decades later in the glorious Taj Mahal. Author Sandra Wilson, an international speaker and teacher based in Deer Harbor, Washington, brings the loves, lives, and monument alive in her novel “Taj.” Wilson opens her historical tale at the “end”in 1666 we observe a dying emperor Shah Jahan reflecting on his life. This scene serves as exposition, and soon we are transported to 1614, as the young couple anticipates a Mughal conquest of Rajasthan. Jahan is the son of the Fourth Mughal Emperorthe Mughals being a group who claimed descent from the Mongols, and came to rule Persia, Afghanistan, and India. It is from this name we get our word “mogul.” As the prince’s responsibilities and burdens grow, so does his appreciation of Mumtaz’s worth as a confidante. “Taj” served far more function than that of a bearer of royal progenya dubious distinction given that her aunt Nur Jahan, wife of the current king (Jahangir), was the wily power behind the throne. Indeed, the empress was nicknamed, behind her back, “Cobra Queen.” Such a reputation caused both the prince and his wife to view Nur Jahna with suspicion. The narrative paints a vivid illustration of Mughal tradition, superstition, art, and politics. Readers who seek either intrigue or aesthetics will find both. The war chests, the myriad royal servants, exotic animals, and luxurious treatments foreshadow the “Can you top this?” ambition of the construction of the Taj Mahal. What results is a richly woven tapestry of an important period in the history of India. Wilson’s exhaustive research is rewarded by insight into how factors such as Islamic belief and Mongol tact shaped the empire. While the love story is the focus, this is no florid fare. Central to the lover prince’s character is his heart, never more evident than when a trusted aide meets danger. For all his victories, the widower Shah Jahan is lost for a way to maintain some element of his beloved “Taj.” Had his mourning not led him to a vision of a floating, paradisal mausoleum in her memory, their love would be lost in the sands of time, rather than preserved in the jewels of monarchy.
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