Wild River Review art by Christopher McCauley

VOLUME 1 — NUMBER 3.3

NEW IN WILD RIVER REVIEW

SPOTLIGHT: Fly Me to the Moon — A Conversation with Mathematician and Artist, Ed Belbruno

COLUMN: Storiedmusic by DJ T’challah

AIRMAIL: Bodhi Blues — A Year in India by Jessica Falcone

NOVEL EXCERPT: Blood Grip — Chapter 2

REVIEW: Gulliver as Slave Trader — Racism Reviled by Jonathan Swift




Gaucho

Desde Rocha, nos dimos de barquinazos en la ruta polvorienta,
en esos momentos
solo nuestra,
hacia los cerros que no podíamos ver,
en el inagotable sol de un dia de diciembre tardío
en Uruguay.
En nuestras mentes
buscábamos eucaliptos,
horneros posados en el barro
o un gaucho en su atavío de bombachas
botas de cuero azuzando el corcel,
pastoreando ganado contra el horizonte.

De la nada apareció de pronto un niño
montado en un caballo,
marron como el polvo,
piernas desnudas
sumergidas en el vellocino de su montura.

Se paró silencioso y nos miró
mientras nosotros conteníamos el aliento;
detrás suyo un campo de ganado, árboles
y un amplio cielo.

Sus ojos encontraron los nuestros
y el español fluyó hacia el
como las estrellas de una constelación;
levantó su mano
en un saludo cauteloso.

Tratas de comprender
su belleza:
los ojos almendrados
evitando el sol;
el tostado polvoriento de su piel;
su naturalidad en el calor del día;
la tranquilidad de su caballo
firmemente manejado por un
brazo flaco,
un brazo que sabía
era hora de volver a cabalgar.

Comandeando con la espalda, brazos,
y pies desnudos como un viejo gaucho,
eclipsó tu mirada.

Miraste tanto como pudiste,
queriendo seguir,
mirándole galopar en el pastizal de oro
hacia el aroma de los eucaliptos y
la ruta polvorienta
donde moriría el día cuando estuviera pronto
y los horneros podrían volver
a sus nidos de barro, a salvo

en el estrellado silencio
de la noche uruguaya.


Elizabeth Esris

Elizabeth Esris

Elizabeth Esris was published in the Bucks County Writer in Fall, 2002. Most recently she completed the libretto for an opera, “Elegy For A Prince”, written in collaboration with composer Sergio Cervetti, who translated “Gaucho”. (The website for the opera is www.elegyforaprince.com) She has taught English in the Central Bucks School District for thirteen years.

ELIZABETH ESRIS IN THIS EDITION:
POETRY: Gaucho
POETRY: Gaucho (Español)

Sergio Cervetti

Sergio Cervetti

Sergio Cervetti is a composer of over 150 works for orchestra, voice, chamber ensemble, dance, and film, who finds himself for the first time published as a translator of poetry. He is no stranger to poetry however, as a number of his compositions have set poetry to music.

Cervetti attended Peabody Institute where he studied under Ernst Krenek, Lazlo Halasz, and Stefan Grové. In 1966 he won the Caracas Festival prize for “Five Episodes for violin, cello and piano”. Following his graduation, he was invited by the DAAD to be composer-in-residence in Berlin. During this time he wrote “Lux Lucet in Tenebris” for chorus for which he was awarded the Gaudeamus Prize in Holland. He returned to the Unites States in 1970 and took up residence in New York City where he taught at Brooklyn College, worked for Virgil Thomson, and studied electronic music with Vladimir Ussachevsky at Columbia University. He established his reputation as a composer of electronic music with “The Hay Wain”, inspired by the Bosch painting, sections of which are used in Oliver Stone’s film, “Natural Born Killers.”

Cervetti joined the faculty of New York University’s Tisch School of the Arts in 1972 where he taught music composition, history and choreography as Master Teacher until 1997. During this time he began his long association with the dance world with “40 Second/42nd Variations”, “Wind Devil”, and “Inez de Castro.” For WNYC Radio’s 50th Anniversary Concert, Cervetti was among the composers who musically set John Ashbery’s poem, “No Longer Very Clear”. “Nuestras Vidas Son Los Ríos”, for soprano, string quartet and harpsichord, with a text by 16th century Spanish poet, Jorge Manrique, premiered in 2003 at the Casa de America in Madrid, cosponsored by the American, Canadian, and Mexican Embassies.

Sergio Cervetti’s opera, “Elegy For A Prince”, written in collaboration with librettist, Elizabeth Esris, has been selected to be part of the 2007 VOX Opera Showcase Festival. Excerpts of “Elegy For A Prince” will be performed by the orchestra and singers from New York City Opera at the Skirball Center at New York University in May, 2007. He is currently working in collaboration with Elizabeth Esris on his second opera based on Gilles de Rais, and a theater piece on Asperger’s Syndrome. More information concerning “Elegy For A Prince” is at www.elegyforaprince.com.

SERGIO CERVETTI IN THIS EDITION:
POETRY: Gaucho (Español)